The Sound department
1. Production Audio
- Boom operator and mixer.
- The boom operator usually manages both jobs.
- Supervising Editor.
- Dialogue Editor.
- ADR editor.
- Backgrounds editor.
- Sound effects editor.
- Foley artists (digetic sounds)
- Music editor.
- Re-recording mixer - Finds a way to draw attention from bad recordings.
Location Scouting- To find appropriate sounds.
- Is the location ideal for shooting?
- What equipment is required for optimal results?
- How to position themselves to capture the cleanest audio possible.
Removing frequencies doesn't always work - the different sounds can share common frequencies.
Relationships with other departments - They rely on all departments to produce the appropriate sounds.
10 things you can do to increase the quality of your recordings;
- Turn off all mechanical and electrical devices.
- Shut all windows and doors.
- Scout for quiet times at your location.
- Lock it up, No talking.
- Allow the boom operator and mixer into rehearsals
- Test Recording.
- Capture wild lines.
- Crew needs to minimize movement and impact.
- Pay attention for noisy props.
- Always leave time for room tone.
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